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  • Art lovers are seen through a window while attending a private view of a series at Phillip Mould, a dealer of paintings in London. Philip Mould & Company are a leading specialist dealer in British art and Old Masters. Our gallery is located in Dover Street at the centre of London's art market. We have a large selection of fine paintings for sale, from Tudor and Jacobean panel pictures to eighteenth century landscapes, as well as works by Old Masters such as Titian and Van Dyck, and antique portrait miniatures.
    art_crowd01-17-11-2012.jpg
  • Customers sit tables for ceffee and the use of hospitality wifi inside the Observatory Gallery Cafe on Marchmont Street, on 10th September 2021, in London, England. (Photo by Richard Baker / In Pictures via Getty Images)
    photography_cafe-02-10-09-2021.jpg
  • Work colleagues and friends' pictures and trophies displayed on a board in an auditing company's London headquarters
    ernst+young375-09-08-2007.jpg
  • Work colleagues and friends' pictures displayed on a board in an auditing company's London headquarters
    ernst+young218-09-08-2007.jpg
  • A 75-page introduction of corporate images by the English photographer Richard Baker. This is a Corporate A3 print and PDF folio. The following pictures are from 'The Pleasures and Sorrows of Work', a book published in April 2009 by the writer Alain de Botton. His essays and Richard Baker's photography explore occupations, industry and landscape. It covers subjects such as the world of logistics warehouses; career counselling; the landscapes of electricity transmission; the business of river shipping; accountancy; tuna fishing; English couture; biscuit manufacturing; the science of launching rockets and a cross-section of 35mm more editorial thumbnails on pages 72/73 with About Me and Contact details on page 74 of this booklet.
    RichardBaker_corporate_folio.pdf
  • The fantasy monster Shrek and a bald man adopting the same postural echo outside a tourist trinket shop near Piccadilly Circus, on 9th May 2018, in London, England. Shrek is a 2001 American computer animated adventure fantasy comedy film loosely based on William Steig's 1990 fairy tale picture book
    shrek_man-06-09-05-2018.jpg
  • The fantasy monster Shrek and a bald man adopting the same postural echo outside a tourist trinket shop near Piccadilly Circus, on 9th May 2018, in London, England. Shrek is a 2001 American computer animated adventure fantasy comedy film loosely based on William Steig's 1990 fairy tale picture book
    shrek_man-04-09-05-2018.jpg
  • The fantasy monster Shrek and a bald man adopting the same postural echo outside a tourist trinket shop near Piccadilly Circus, on 9th May 2018, in London, England. Shrek is a 2001 American computer animated adventure fantasy comedy film loosely based on William Steig's 1990 fairy tale picture book
    shrek_man-05-09-05-2018.jpg
  • The fantasy monster Shrek and a bald man adopting the same postural echo outside a tourist trinket shop near Piccadilly Circus, on 9th May 2018, in London, England. Shrek is a 2001 American computer animated adventure fantasy comedy film loosely based on William Steig's 1990 fairy tale picture book
    shrek_man-03-09-05-2018.jpg
  • The fantasy monster Shrek and a bald man adopting the same postural echo outside a tourist trinket shop near Piccadilly Circus, on 9th May 2018, in London, England. Shrek is a 2001 American computer animated adventure fantasy comedy film loosely based on William Steig's 1990 fairy tale picture book
    shrek_man-02-09-05-2018.jpg
  • The fantasy monster Shrek and a bald man adopting the same postural echo outside a tourist trinket shop near Piccadilly Circus, on 9th May 2018, in London, England. Shrek is a 2001 American computer animated adventure fantasy comedy film loosely based on William Steig's 1990 fairy tale picture book
    shrek_man-01-09-05-2018.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich12-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich10-05-02-2013.jpg
  • A portrait of Don Justino de Neve, 1665, 206 x 129.5 cm. <br />
<br />
Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich09-05-02-2013.jpg
  • Dr. Xavier Bray, chief curator of the Dulwich Picture Gallery conducts a guided tour during the Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from their high position in Seville Cathedral for the first time since they were installed by Neve in 1667.
    murillo_dulwich08-05-02-2013.jpg
  • Dr. Xavier Bray, chief curator of the Dulwich Picture Gallery conducts a guided tour during the Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from their high position in Seville Cathedral for the first time since they were installed by Neve in 1667.
    murillo_dulwich06-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich01-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich04-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich03-05-02-2013.jpg
  • A curator inspects art canvasses leaning against gallery walls in the Royal Academy (RA) for its 'The Glory of Venice: Art in the Eighteenth Century' exhibition, a collection of important works of art by Italian artists such as Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi. In the privacy of the closed gallery, a lady official from the RA is bending down, resting her hands on knees and scrutinizing for possible damage after their removal from travel packing crates, whilst on the floor before hanging for public view. We see the largest picture on the right (Luca Carlevaris, The Bucintore Departing from S. Marco. 1710) of the Grand Canal in Venice and on the left is 'Domenico Tiepolo, The Institution of the Eucharist, 1753'. Polished wooden parquet flooring is protected by blocks that support the weight of each work of priceless art.
    RB_035-31-05-1994.jpg
  • A 62-page introduction of editorial images by the English photographer Richard Baker. It contains projects and assignments that are biased towards medium format<br />
colour negative film with a selection of 35mm transparency-sourced work found on pages 60/61 with About Me and Contact details on page 62. Subjects include: Olympiad, Journeys in ancient Greece on Marathon Road, Athens, Sacred Precinct of Zeus in ancient Olympia and the Acropolis; Monica Ali's Bangladeshi Brick Lane; Inside the BBC; the rally driver Richard Burns; 100 years of aviation; One week after 9/11; solo images from Ireland, Lithuania, England and Florida. This folio is directed towards picture editors and art directors.
    RichardBaker_editorial_folio.pdf
  • Three women admire Tudor portraits of Elizabethan nobility in Tate Britain, London. On the left is a portrait of Mary Kytson, of Lady Darcy of Chiche, later, Lady Rivers, British School, circa 1590. In the middle is a painting attributed to Marcus Gheeraerts II of an Unknown Lady circa 1595. The three ladies however are admiring the picture of Captain Thomas Lee, also by Gheeraerts II, 1594. Tate first opened its doors to the public in 1897 with one site, displaying a small collection of British artworks. Today Tate has four major sites and the national collection of British art from 1500 to the present day and international modern and contemporary art, which includes nearly 70,000 artworks.
    tate_britain01-13-06-2013.jpg
  • Detail of the wood panels of a traditional Slovenian barn in a rural village, on 19th June 2018, in Bohinjska Bela, Bled, Slovenia.
    slovenia-96-19-06-2018.jpg
  • A last-minute photo for a young visitor before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-20-01-09-2021.jpg
  • Before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-16-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-13-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-10-01-09-2021.jpg
  • Members of the public admire a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-06-01-09-2021.jpg
  • Members of the public admire a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-05-01-09-2021.jpg
  • Members of the public admire a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-04-01-09-2021.jpg
  • A member of the general public stop to touch a copy of Van Gogh's Sunflowers, one of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-02-01-09-2021.jpg
  • some of the paintings placed outside the National Gallery to show the public what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-01-01-09-2021.jpg
  • On the 100th anniversary of the Royal Air Force (RAF) and before an historic flypast of 100 aircraft formations representing Britain's air defence history which flew over central London, the public watch a march past of service personnel, on 10th July 2018, in London, England.
    RAF_100-04-10-07-2018.jpg
  • On the 100th anniversary of the Royal Air Force (RAF) and before an historic flypast of 100 aircraft formations representing Britain's air defence history which flew over central London, the public watch a march past of service personnel, on 10th July 2018, in London, England.
    RAF_100-03-10-07-2018.jpg
  • A woman uses her smartphone to photograph a corporate foyer interior, her phone seemingly blended with the building's architecture, on 9th December 2016, in the City of London.
    smartphone_woman-02-09-12-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-40-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-39-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-38-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-34-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-33-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-20-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-16-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-15-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-13-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-12-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-11-17-06-2016.jpg
  • A last-minute photo for a young visitor before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-19-01-09-2021.jpg
  • A last-minute photo for a young visitor before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-18-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-14-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-11-01-09-2021.jpg
  • Members of the public admire a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-08-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-09-01-09-2021.jpg
  • Members of the public admire a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-07-01-09-2021.jpg
  • A member of the public stretches in front of copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-03-01-09-2021.jpg
  • Photographer Michael Kemp on London Bridge, on 19th April 2018, in London, England.
    london_bridge-71-19-04-2018.jpg
  • A woman uses her smartphone to photograph a corporate foyer interior, her phone seemingly blended with the building's architecture, on 9th December 2016, in the City of London.
    smartphone_woman-01-09-12-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-37-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-36-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at Montpellier airport, south of France.
    montpellier-32-18-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-19-17-06-2016.jpg
  • Exhibition photography from the airport-theme art shaow called 'Terminal P' at La Panacee, Montpellier, south of France.
    montpellier-18-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-17-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-14-17-06-2016.jpg
  • Documentary photography by Richard Baker from the airport-theme exhibition entitled 'Terminal P', at La Panacee, Montpellier, south of France.
    montpellier-10-17-06-2016.jpg
  • A portrait of documentary photographer, Homer Sykes while at his exhibition of his 'Once a Year: Some Traditional British Customs' work, being shown at the Lucy Bell Gallery in St Leonards, on 3rd May 2021, in St Leonards, Sussex, England.
    homer_sykes 02-03-05-2021.jpg
  • A portrait of documentary photographer, Homer Sykes while at his exhibition of his 'Once a Year: Some Traditional British Customs' work, being shown at the Lucy Bell Gallery in St Leonards, on 3rd May 2021, in St Leonards, Sussex, England.
    homer_sykes 01-03-05-2021.jpg
  • A portrait of documentary photographer, Homer Sykes while at his exhibition of his 'Once a Year: Some Traditional British Customs' work, being shown at the Lucy Bell Gallery in St Leonards, on 3rd May 2021, in St Leonards, Sussex, England.
    homer_sykes 04-03-05-2021.jpg
  • A portrait of documentary photographer, Homer Sykes while at his exhibition of his 'Once a Year: Some Traditional British Customs' work, being shown at the Lucy Bell Gallery in St Leonards, on 3rd May 2021, in St Leonards, Sussex, England.
    homer_sykes 03-03-05-2021.jpg
  • A male hipster wasks past Goya portraits, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery.
    street_people30-08-10-2015.jpg
  • A tourist couple listen to a busker near Goya portraits, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery.
    street_people28-08-10-2015.jpg
  • Tourists look at their handheld device near Goya portraits, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery.
    street_people23-08-10-2015.jpg
  • A tourist takes a photo with a modern device near Goya portraits, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery.
    street_people22-08-10-2015.jpg
  • A last-minute photo for a young visitor before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-17-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-12-01-09-2021.jpg
  • A man and young girl stand near WM Turner's 'Fighting Temeraire' and 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain - some of the paintings placed outside the National Gallery in Trafalgar Square, on 26th August 2021, in London, England.
    art_people-01-26-08-2021.jpg
  • Sam Baker looks at the landscape photography of Don McCullin at Tate Britain, on 10th March 2019, in London, England.
    sam_tate-01-10-03-2019.jpg
  • A detail of artwork drawn by local schoolchildren teaching the value of preserving ancient Egyptian heritage, on a wall at the American-sponsored Theban Mapping Project Library on the West Bank of Luxor, Nile Valley, Egypt. The Theban Mapping Project's goal is to enable local people to have a place where they can read and learn. The organisation is run by American Egyptologist Dr Kent Weeks who is committed to the original goal of accurately documenting the archaeological heritage of Thebes
    egypt315-05-03-2016.jpg
  • Hieroglyphs on columns at the ancient Egyptian Temple of Hatshepsut near the Valley of the Kings, Luxor, Nile Valley, Egypt. The Mortuary Temple of Queen Hatshepsut, the Djeser-Djeseru, is located beneath cliffs at Deir el Bahari ("the Northern Monastery"). The mortuary temple is dedicated to the sun god Amon-Ra and is considered one of the "incomparable monuments of ancient Egypt." The temple was the site of the massacre of 62 people, mostly tourists, by Islamists on 17 November 1997.
    egypt162-03-03-2016.jpg
  • Hieroglyphs on columns at the ancient Egyptian Temple of Hatshepsut near the Valley of the Kings, Luxor, Nile Valley, Egypt. The Mortuary Temple of Queen Hatshepsut, the Djeser-Djeseru, is located beneath cliffs at Deir el Bahari ("the Northern Monastery"). The mortuary temple is dedicated to the sun god Amon-Ra and is considered one of the "incomparable monuments of ancient Egypt." The temple was the site of the massacre of 62 people, mostly tourists, by Islamists on 17 November 1997.
    egypt160-03-03-2016.jpg
  • Woman and matching pink background of main venue for London Fashion Week at Somerset House.
    fashion_week02-24-02-2015.jpg
  • Paper sheets and layers of mixed advertising media campaigns are peeling on a south London billboard.
    peeling_billboard02-16-02-2015.jpg
  • Paper sheets and layers of mixed advertising media campaigns are peeling on a south London billboard.
    peeling_billboard01-16-02-2015.jpg
  • Marking the centenary of the the beginning of the First World War (WW1) in 1914, visitors to the Heritage Lottery funded, Fields of Battle Lands of Peace Street Gallery in St James's Park, central London, an outdoor exhibition of photography by Michael St Maur Sheil's 7-year project recording the landscapes of battefields along the Western front. Aerial views of Beaumont Hamel trenches include scarring in the land by shell holes. Across the world, remembrance ceremonies for this historic conflict that affected world nations.
    ww1_centenary09-04-08-2014.jpg
  • A detail of an old family photo taken on 35mm transparency slide from the 1960s.
    transparency_lightbox11-21-01-2014.jpg
  • A detail of old family photos taken on 35mm transparency slides from the 1960s.
    transparency_lightbox12-21-01-2014.jpg
  • The menu on offer outside a Thai restaurant in central London. (Desaturated version).
    thai_menuCC02-03-10-2013.jpg
  • An assortment of properties are displayed in a Sevenoaks estate agent's high street window.
    properties_window1-02-September-2011.jpg
  • Richard Baker's photography exhibition from the Alain de Botton book 'A Week at the Airport: A Heathrow Diary" (2009), on show at Pisa Airport, Italy as part of the Festival della Creativita, 2010.
    pisa_exhibition07-21-10-2010.jpg
  • Richard Baker's photography exhibition from the Alain de Botton book 'A Week at the Airport: A Heathrow Diary" (2009), on show at Pisa Airport, Italy as part of the Festival della Creativita, 2010.
    pisa_exhibition01-21-10-2010.jpg
  • Richard Baker's photography from the book project The Pleasures and Sorrows of Work, exhibited at the Museum of the History of Science on Broad Street, Oxford from April - September 2010.
    oxford_exhibition03-13-04-2010.jpg
  • Richard Baker's photography from the book project The Pleasures and Sorrows of Work, exhibited at the Museum of the History of Science on Broad Street, Oxford from April - September 2010.
    oxford_exhibition01-13-04-2010.jpg
  • Customers sit tables for ceffee and the use of hospitality wifi inside the Observatory Gallery Cafe on Marchmont Street, on 10th September 2021, in London, England.
    photography_cafe-01-10-09-2021.jpg
  • In the week that many more Londoners returned to their office workplaces after the Covid pandemic, London Art colleges exhibit graduates' Fine Art and Performance work in the City of London, the capital's financial district, on 8th September 2021, in London, England.
    city_people-06-08-09-2021.jpg
  • Before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-15-01-09-2021.jpg
  • Sam Baker looks at the landscape photography of Don McCullin at Tate Britain, on 10th March 2019, in London, England.
    sam_tate-03-10-03-2019.jpg
  • Sam Baker looks at the landscape photography of Don McCullin at Tate Britain, on 10th March 2019, in London, England.
    sam_tate-02-10-03-2019.jpg
  • Local schoolchildren learn to play memory card games at the American-sponsored Theban Mapping Project Library on the West Bank of Luxor, Nile Valley, Egypt. The Theban Mapping Project's goal is to enable local people to have a place where they can read and learn. The organisation is run by American Egyptologist Dr Kent Weeks who is committed to the original goal of accurately documenting the archaeological heritage of Thebes
    egypt318-05-03-2016.jpg
  • A detail of artwork drawn by local schoolchildren teaching the value of preserving ancient Egyptian heritage, on a wall at the American-sponsored Theban Mapping Project Library on the West Bank of Luxor, Nile Valley, Egypt. The Theban Mapping Project's goal is to enable local people to have a place where they can read and learn. The organisation is run by American Egyptologist Dr Kent Weeks who is committed to the original goal of accurately documenting the archaeological heritage of Thebes
    egypt316-05-03-2016.jpg
  • Hieroglyphs on columns at the ancient Egyptian Temple of Hatshepsut near the Valley of the Kings, Luxor, Nile Valley, Egypt. The Mortuary Temple of Queen Hatshepsut, the Djeser-Djeseru, is located beneath cliffs at Deir el Bahari ("the Northern Monastery"). The mortuary temple is dedicated to the sun god Amon-Ra and is considered one of the "incomparable monuments of ancient Egypt." The temple was the site of the massacre of 62 people, mostly tourists, by Islamists on 17 November 1997.
    egypt161-03-03-2016.jpg
  • A detail of wooden supports and ancient Egyptian hieroglyphs showing Somalian slaves at the Temple of Hatshepsut near the Valley of the Kings, Luxor, Nile Valley, Egypt. The Mortuary Temple of Queen Hatshepsut, the Djeser-Djeseru, is located beneath cliffs at Deir el Bahari ("the Northern Monastery"). The mortuary temple is dedicated to the sun god Amon-Ra and is considered one of the "incomparable monuments of ancient Egypt." The temple was the site of the massacre of 62 people, mostly tourists, by Islamists on 17 November 1997.
    egypt159-03-03-2016.jpg
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Richard Baker Photography

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