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  • The tattooed hermit, Tom Leppard (1935-2016) at his secret island hideaway on the Isle of Skye, Scotland in 2007. <br />
<br />
(See main gallery caption).
    5247-RPB59-leopard_man001-27-09-2007.jpg
  • A last-minute photo for a young visitor before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-20-01-09-2021.jpg
  • Before passing Extinction Rebellion Climate Change activists get too near, staff from the National Gallery cover copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-16-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-14-01-09-2021.jpg
  • A street sweeper brushes leaves from beneath a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-10-01-09-2021.jpg
  • Members of the public admire a copy of 'Seaport with the Embarkation of Saint Ursula' by Claude Lorrain (1641), part of a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-07-01-09-2021.jpg
  • A member of the public stretches in front of copies of selected paintings, a temporary display of historical art placed outside the National Gallery to show passers-by what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-03-01-09-2021.jpg
  • some of the paintings placed outside the National Gallery to show the public what can be seen in their galleries, on 1st September 2021, in Trafalgar Square, London, England.
    trafalgar_art-01-01-09-2021.jpg
  • An interior of a former phone kiosk that now serves the local village community with a bring and borrow book library and life-saving defribrillator equipment, on a viillage green in rural Norfolk, on 27th June 2021, in Thursford, Norfolk, England.
    norfolk_village07-27-06-2021.jpg
  • An interior of a former phone kiosk that now serves the local village community with a bring and borrow book library and life-saving defribrillator equipment, on a viillage green in rural Norfolk, on 27th June 2021, in Thursford, Norfolk, England.
    norfolk_village06-27-06-2021.jpg
  • The former phone kiosk that now serves the local village community with a bring and borrow book library service, on a viillage green in rural Norfolk, on 27th June 2021, in Thursford, Norfolk, England.
    norfolk_village05-27-06-2021.jpg
  • Socially distanced bus passengers wear face coverings while waiting for the next service, and the famous scientists who studied at University College London (UCL), on the Strand in central London, on 8th March 2021, in London, England. King's College London is a public research university located in London, United Kingdom, and a founding college and member institution of the federal University of London.
    UCL_alumni02-08-03-2021.jpg
  • Using her own sewing machine, a young dressmaking hobbyist woman sews together the seams of a home-made dress that she's created from a pattern in her home, on 6th March 2021, in London, England.
    dressmaking10-06-03-2021.jpg
  • Using her own sewing machine, a young dressmaking hobbyist woman sews together the seams of a home-made dress that she's created from a pattern in her home, on 6th March 2021, in London, England.
    dressmaking06-06-03-2021.jpg
  • A young dressmaker woman uses a needle and thread to sew together a home-made dress that she's created from a pattern in her home, on 6th March 2021, in London, England.
    dressmaking02-06-03-2021.jpg
  • A young dressmaker woman uses a needle and thread to sew together a home-made dress that she's created from a pattern in her home, on 6th March 2021, in London, England.
    dressmaking01-06-03-2021.jpg
  • A defibrillator located inside an old phone box, to be used by the public in emergencies, placed opposite the Bucks Head pub in Godden Green, 5th January 2019, in Kent, England.
    walkers-09-05-01-2020.jpg
  • A defibrillator located inside an old phone box, to be used by the public in emergencies, placed opposite the Bucks Head pub in Godden Green, 5th January 2019, in Kent, England.
    walkers-10-05-01-2020.jpg
  • A lady presses the crossing signal in front of a question mark in the context of a billboard ad at East Dulwich, on 14th February 2019, in London, England.
    question_mark-02-14-02-2019.jpg
  • A question mark in the context of a billboard ad in East Dulwich, on 10th February 2019, in London, England.
    question_mark-04-12-02-2019.jpg
  • Mothers pass a question mark in the context of a billboard ad and mothers at East Dulwich, on 10th February 2019, in London, England.
    question_mark-03-12-02-2019.jpg
  • An EDF Energy van passes a question mark in the context of a billboard ad and traffic at East Dulwich, on 10th February 2019, in London, England.
    question_mark-02-12-02-2019.jpg
  • An EDF Energy van passes a question mark in the context of a billboard ad and traffic at East Dulwich, on 10th February 2019, in London, England.
    question_mark-01-12-02-2019.jpg
  • A south London landscape with a question mark being held in the context of a billboard ad, on 10th February 2019, in London, England.
    question_mark-05-11-02-2019.jpg
  • A south London child walks beneath a question mark being held in the context of a billboard ad, on 10th February 2019, in London, England.
    question_mark-02-11-02-2019.jpg
  • A confident 1990s child raises her hand while classmates sit on a classroom rug at the Ashford Park Elementary School, on 5th November 1995, in Atlanta, Georgia USA. (Photo by Richard Baker / In Pictures via Getty Images)
    atlanta_school-05-11-1995.jpg
  • 1990s teenage students receive flowers from their parents on the last day of the school term, on 13th June 1990, in Budapest, Hungary. (Photo by Richard Baker / In Pictures via Getty Images)
    budapest_students-13-06-1990.jpg
  • A senior nursing Sister and a junior nurse work in a 1990s ward at the Royal London, Whitechapel, on 23rd June 2018, in east London, England. (Photo by Richard Baker / In Pictures via Getty Images)
    NHS_nurses-23-06-1993.jpg
  • A 1990s Pharmacist makes up perscriptions in the Royal London, Whitechapel, on 23rd June 2018, in east London, England. <br />
(Photo by Richard Baker / In Pictures via Getty Images)
    NHS_pharmicist-23-06-1993.jpg
  • A wheelchair user is between 2nd century Roman copies from Greek originals of Demeter holding a torch (L) and Gannymede with the eagle of Zeus (R), in the Enlightenment Gallery of the British Museum, on 11th April 2018, in London, England.
    british_museum-50-11-04-2018.jpg
  • 2nd century Roman copies from Greek originals of Demeter holding a torch (L) and Gannymede with the eagle of Zeus (R), in the Enlightenment Gallery of the British Museum, on 11th April 2018, in London, England.
    british_museum-46-11-04-2018.jpg
  • A visitor admires a sculpture of Cupid, a 2nd century Roman copy of a Greek original, in the Enlightenment Gallery of the British Museum, on 11th April 2018, in London, England.
    british_museum-45-11-04-2018.jpg
  • A young visitor inspects classical literature near the the sculpture of Rondanini's Faun - a 2nd century Roman copy of a Greek original - in the Enlightenment Gallery of the British Museum, on 11th April 2018, in London, England.
    british_museum-41-11-04-2018.jpg
  • Classical literature on bookshelves in the Enlightenment Gallery of the British Museum, on 11th April 2018, in London, England.
    british_museum-40-11-04-2018.jpg
  • Visitors admire the sculpture of Rondanini's Faun - a 2nd century Roman copy of a Greek original - in the Enlightenment Gallery of the British Museum, on 11th April 2018, in London, England.
    british_museum-37-11-04-2018.jpg
  • A detail from an ancient Assyrian stone carving (883-859 BC) from Nimrud depicting a scene from the court of King Ashurnasirpal, in the British Museum, on 11th April 2018, in London, England. The detailed reliefs on display in Rooms 7-8 originally stood in the palace throne-room and in other royal apartments. They depict the king and his subjects engaged in a variety of activities. Ashurnasirpal is shown leading military campaigns against his enemies, engaging in ritual scenes with protective demons and hunting, a royal sport in ancient Mesopotamia.
    british_museum-33-11-04-2018.jpg
  • A detail of one ancient Assyrian stone panel carving (700-692BC) showing archers attacking the town of Lachish near Jerusalem, in the British Museum, on 11th April 2018, in London, England. The relief was created for the walls of the great palace of the Assyrian king, Sennacherib, in Nineveh. Such scenes demonstrated the consequences of rebelling against the Assyrian empire. Sennacherib is shown as an invincible king presiding over a perfect victory.
    british_museum-27-11-04-2018.jpg
  • A detail of one ancient Assyrian stone panel carving (700-692BC) showing archers attacking the town of Lachish near Jerusalem, in the British Museum, on 11th April 2018, in London, England. The relief was created for the walls of the great palace of the Assyrian king, Sennacherib, in Nineveh. Such scenes demonstrated the consequences of rebelling against the Assyrian empire. Sennacherib is shown as an invincible king presiding over a perfect victory.
    british_museum-25-11-04-2018.jpg
  • A detail of one ancient Assyrian stone panel carving (700-692BC) showing archers attacking the town of Lachish near Jerusalem, in the British Museum, on 11th April 2018, in London, England. The relief was created for the walls of the great palace of the Assyrian king, Sennacherib, in Nineveh. Such scenes demonstrated the consequences of rebelling against the Assyrian empire. Sennacherib is shown as an invincible king presiding over a perfect victory.
    british_museum-26-11-04-2018.jpg
  • A detail of one ancient Assyrian stone panel carving (700-692BC) showing archers attacking the town of Lachish near Jerusalem, in the British Museum, on 11th April 2018, in London, England. The relief was created for the walls of the great palace of the Assyrian king, Sennacherib, in Nineveh. Such scenes demonstrated the consequences of rebelling against the Assyrian empire. Sennacherib is shown as an invincible king presiding over a perfect victory.
    british_museum-24-11-04-2018.jpg
  • Visitors admire the heads of ancient Greek Hellenistic philosophers (L-R): Sokrates, Antisthenes, Chrysippus and Epikouros, in the British Museum, on 11th April 2018, in London, England.
    british_museum-23-11-04-2018.jpg
  • Visitors admire the Roman versions of hero warrior Protesilaos sculpture - the first Greek warrior to land and die in Troy, in the British Museum, on 11th April 2018, in London, England.
    british_museum-19-11-04-2018.jpg
  • Visitors admire the Roman versions of hero warrior Protesilaos sculpture - the first Greek warrior to land and die in Troy, in the British Museum, on 11th April 2018, in London, England.
    british_museum-18-11-04-2018.jpg
  • Visitors admire the sculpture of the ancient Greek Parthenon's Elgin Marbles Metopes in the British Museum, on 11th April 2018, in London, England.
    british_museum-15-11-04-2018.jpg
  • Visitors admire the sculpture of the ancient Greek Parthenon's Elgin Marbles Metopes in the British Museum, on 11th April 2018, in London, England.
    british_museum-13-11-04-2018.jpg
  • A tour leader takes her group past Greek and Roman sculpture in the British Museum, on 11th April 2018, in London, England.
    british_museum-12-11-04-2018.jpg
  • Visitors admire the Rosetta Stone in Room 4 of the British Museum, on 11th April 2018, in London, England.
    british_museum-11-11-04-2018.jpg
  • Visitors admire the Rosetta Stone in Room 4 of the British Museum, on 11th April 2018, in London, England.
    british_museum-10-11-04-2018.jpg
  • Visitors admire the Rosetta Stone in Room 4 of the British Museum, on 11th April 2018, in London, England.
    british_museum-07-11-04-2018.jpg
  • The ancient Egyptian Pharaoh Ramses II, in Room 4 of the British Museum, on 11th April 2018, in London, England.
    british_museum-03-11-04-2018.jpg
  • The ancient Egyptian Pharaoh Ramses II, in Room 4 of the British Museum, on 11th April 2018, in London, England.
    british_museum-02-11-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-18-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-19-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-14-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-13-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-10-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-08-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-07-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-02-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-01-06-04-2018.jpg
  • Mulsim graduates stand for a family photo wearing their rented gowns and mortarboard hats iafter their graduation eremony, in celebration of their university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-18-20-07-2017.jpg
  • A young boy watches a lady graduate taking a selfie photo of herself after her graduation eremony, in celebration of her university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-17-20-07-2017.jpg
  • Young graduates stand beneath the bust of Nelson Mandela after their graduation eremony, in celebration of their university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-09-20-07-2017.jpg
  • Young graduates stand beneath the bust of Nelson Mandela after their graduation eremony, in celebration of their university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-08-20-07-2017.jpg
  • Lady graduates fling their rented mortarboard hats into the air after their graduation eremony, in celebration of their university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-03-20-07-2017.jpg
  • Lady graduates fling their rented mortarboard hats into the air after their graduation eremony, in celebration of their university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-02-20-07-2017.jpg
  • Lady graduates fling their rented mortarboard hats into the air after their graduation eremony, in celebration of their university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-04-20-07-2017.jpg
  • Lady graduates fling their rented mortarboard hats into the air after their graduation eremony, in celebration of their university academic achievement, outside the Festival Hall, on 20th July 2017, on the Southbank, London, England.
    southbank_graduation-05-20-07-2017.jpg
  • Young women graduates wearing rented gowns and mortarboards have photos taken by family members after their university graduation ceremony, on 13th July 2017, at the University of York, England.
    york_graduation-24-13-07-2017.jpg
  • Young women graduates wearing rented gowns and mortarboards have photos taken by family members after their university graduation ceremony, on 13th July 2017, at the University of York, England.
    york_graduation-23-13-07-2017.jpg
  • Young graduates wearing rented gowns and mortarboards have photos taken by family members after their university graduation ceremony, on 13th July 2017, at the University of York, England.
    york_graduation-21-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-17-13-07-2017.jpg
  • Young women graduates wearing rented gowns and mortarboards have photos taken by family members after their university graduation ceremony, on 13th July 2017, at the University of York, England.
    york_graduation-18-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-14-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-13-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-10-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-06-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-08-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-03-13-07-2017.jpg
  • Rows of young graduates during their university graduation ceremony, on 13th July 2017, in the Central Hall at the University of York, England.
    york_graduation-02-13-07-2017.jpg
  • Young women graduands wearing rented gowns and mortarboards take a selfie with a smartphone at a private drinks party before their university graduation ceremony, on 13th July 2017, at the University of York, England.
    ella_graduation-14-13-07-2017.jpg
  • Young women graduands wearing rented gowns and mortarboards take a selfie with a smartphone at a private drinks party before their university graduation ceremony, on 13th July 2017, at the University of York, England.
    ella_graduation-13-13-07-2017.jpg
  • The South Stairs of the British Museum with the two lions that once adorned the Mausoleum of Halicarnassus (now in Bodrum, Turkey) and one of the Seven Wonders of the World, on 28th February 2017, in London, England.
    british_museum-27-28-02-2017.jpg
  • The bust of mythical Hercules, a Roman copy of the ancient Greek original by Lysippos (of about 325-300BC) in the Enlightenment Gallery of the British Museum on 28th February 2017, in London, England. The Roman version is said to have been found in lava at the foot of Vesuvius and presented to the museum by Sir William Hamilton in 1776. Hercules is the Roman adaptation of the Greek divine hero Heracles,  the son of Zeus (Roman equivalent Jupiter) and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.
    british_museum-24-28-02-2017.jpg
  • The bust of mythical Hercules, a Roman copy of the ancient Greek original by Lysippos (of about 325-300BC) in the Enlightenment Gallery of the British Museum on 28th February 2017, in London, England. The Roman version is said to have been found in lava at the foot of Vesuvius and presented to the museum by Sir William Hamilton in 1776. Hercules is the Roman adaptation of the Greek divine hero Heracles,  the son of Zeus (Roman equivalent Jupiter) and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.
    british_museum-25-28-02-2017.jpg
  • The bust of mythical Hercules, a Roman copy of the ancient Greek original by Lysippos (of about 325-300BC) in the Enlightenment Gallery of the British Museum on 28th February 2017, in London, England. The Roman version is said to have been found in lava at the foot of Vesuvius and presented to the museum by Sir William Hamilton in 1776. Hercules is the Roman adaptation of the Greek divine hero Heracles,  the son of Zeus (Roman equivalent Jupiter) and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.
    british_museum-23-28-02-2017.jpg
  • leaving footprints, a Bedouin walks away into desert sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt487-08-03-2016.jpg
  • A Bedouin inspects rubbish left in desert sand dunes near the Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt486-08-03-2016.jpg
  • Human presence in the form of 4x4 tyre tracks left in the sand of dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. .
    egypt466-08-03-2016.jpg
  • A Bedouin drives his 4x4 vehicle through desert sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt462-08-03-2016.jpg
  • A 4x4 desert expedition vehicle climbs a sand dune at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt459-08-03-2016.jpg
  • A 4x4 desert expedition vehicle climbs a sand dune at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt456-08-03-2016.jpg
  • A 4x4 desert expedition vehicle climbs a sand dune at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt455-08-03-2016.jpg
  • A Bedouin drives his 4x4 vehicle through desert sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt447-08-03-2016.jpg
  • A Bedouin drives his 4x4 vehicle through desert sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt446-08-03-2016.jpg
  • A Bedouin and his desert expedition 4x4 vehicle in sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt439-08-03-2016.jpg
  • A Bedouin and his desert expedition 4x4 vehicle in sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt438-08-03-2016.jpg
  • A Bedouin and his desert expedition 4x4 vehicle in sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt436-08-03-2016.jpg
  • A Bedouin and his desert expedition 4x4 vehicle in sand dunes at al-Galamun, near Dahkla Oasis, Western Desert, Egypt. The past few decades have been difficult for traditional Bedouin culture due to changing surroundings and the establishment of new resort towns on the Red Sea coast, such as Sharm el-Sheikh. Bedouins in Egypt are facing a number of challenges: erosion of traditional values, unemployment, and various land issues. The Western Desert covers an area of some 700,000 km2, thereby accounting for around two-thirds of Egypt's total land area. Dakhla Oasis is one of the seven oases of Egypt's Western Desert (part of the Libyan Desert). It lies in the New Valley Governorate, 350 km (220 mi.) and measures approximately 80 km (50 mi) from east to west and 25 km (16 mi) from north to south.
    egypt434-08-03-2016.jpg
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