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  • A lone musician kneels to play the tuba within an oval aperture in the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man walks slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape03-15-12-2007 .jpg
  • A lone musician kneels to play the tuba within an oval aperture in the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man walks slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape01-15-12-2007 .jpg
  • As child visitors negotiate their way through a hole, a musician plays the tuba within the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man and other visitors wear coloured capes and walk slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape02-15-12-2007 .jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-05-06-02-2023.jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-06-06-02-2023.jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-04-06-02-2023.jpg
  • City office workers ride escalators above  an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-09-26-01-2023.jpg
  • Staff sweep around an artwork entitled 'Evanescent' which is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-05-26-01-2023.jpg
  • Staff sweep around an artwork entitled 'Evanescent' which is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-04-26-01-2023.jpg
  • Staff sweep around an artwork entitled 'Evanescent' which is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-01-26-01-2023.jpg
  • Electrical wiring during installation on New York City construction site.
    tim_lynch315-23-05-2014.jpg
  • Electrical wiring during installation on New York City construction site.
    tim_lynch308-23-05-2014.jpg
  • Electrical wiring during installation on New York City construction site.
    tim_lynch282-23-05-2014.jpg
  • Electrical wiring during installation on New York City construction site.
    tim_lynch283-23-05-2014.jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-07-06-02-2023.jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-08-06-02-2023.jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-03-06-02-2023.jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-02-06-02-2023.jpg
  • City office workers ride escalators alongside an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 6th February 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-01-06-02-2023.jpg
  • City office workers ride escalators above  an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-08-26-01-2023.jpg
  • City office workers ride escalators above  an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-07-26-01-2023.jpg
  • City office workers ride escalators above  an artwork entitled 'Evanescent' is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-06-26-01-2023.jpg
  • Staff sweep around an artwork entitled 'Evanescent' which is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-03-26-01-2023.jpg
  • Staff sweep around an artwork entitled 'Evanescent' which is being displayed in January and February beneath at the Leadenhall Building in the City of London, the capital's financial district, on 26th January 2023, in London, England. Evanescent is a free to visit public installation cnsisting of a cluster of gigantic bubbles that together tower to more than seven metres in height. The work, from Atelier Sisu, has been placed beside the west entrance of the Leadenhall Building aka 'The Cheesegrater'.
    evanescent_spheres-02-26-01-2023.jpg
  • Electrical wiring during installation on New York City construction site.
    tim_lynch313-23-05-2014.jpg
  • From inside a large cube, we see Italian artist Michaelangelo Pistoletto's "Metrocubo d'Infinito" mirror installation at Palazzo Strozzi in the Medici Renaissance city of Florence. While the exterior of the cube looks like a gigantic rusty rubix-cube, inside is really a kind of infinity of self-reflection, covered entirely, floor to ceiling, in mirrors. And in the centre of the cube is another smaller cube made of grey stone. Young female visitors engage with the artwork and peer down to the floor where, just like all four walls and the ceiling, the repeating image stretches as far as the eye can focus.
    florence_italy01-21-10-2010.jpg
  • Chromorama, an art installation at the junction of Crown Place and Sun Street in the City of London, the capital's financial district, on 3rd September 2018, in London England. Chromorama, by London-based artist David Batchelor, comprises 35 illuminated light boxes which use the entire colour spectrum and face strategically in all directions. As is a hallmark of Batchelor’s style, the boxes have been created from discarded everyday objects and items.
    broadgate_column-01-03-09-2018.jpg
  • A city worker uses her smartphone by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers04-09-07-2013.jpg
  • The Lloyds Building and a number two, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers02-09-07-2013.jpg
  • A worker in red overalls passes-by a large red number One, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers17-05-07-2013.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers14-05-07-2013.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers02-05-07-2013.jpg
  • A city worker uses his smartphone by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers04-05-07-2013.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers03-05-07-2013.jpg
  • A woman smokes a cigarette by a large red number One and Two, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers21-05-07-2013.jpg
  • City workers pass-by a large number One, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers16-05-07-2013.jpg
  • Circle artwork installation seen through reflective office foyer windows.
    circles_window08-16-04-2012.jpg
  • As traffic zooms past, the art installation called 'House' stands alone on a now-empty and house-less East London street. Oddly, the contours of the structure have been inverted to reveal an inside-out version of the original building. It is a concrete cast of the inside of an entire Victorian terraced house completed in autumn 1993 and exhibited at the location of the original property -- 193 Grove Road -- in East London (all the houses in the street had earlier been knocked down by the council). Created by the artist Rachel Whiteread CBE (born 1963) this is her best-known sculpture. It won her the Turner Prize (the first woman to do so) for best young British artist in 1993. Here we see 'House' next to a lamp post which throws down it's light on a winter evening, before it was controversially demolished by the council in January 1994.
    rachel_whiteread01-15-12-2007 .jpg
  • Chromorama, an art installation at the junction of Crown Place and Sun Street in the City of London, the capital's financial district, on 3rd September 2018, in London England. Chromorama, by London-based artist David Batchelor, comprises 35 illuminated light boxes which use the entire colour spectrum and face strategically in all directions. As is a hallmark of Batchelor’s style, the boxes have been created from discarded everyday objects and items.
    broadgate_column-02-03-09-2018.jpg
  • City workers pass-by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers07-09-07-2013.jpg
  • A city worker smokes a cigarette as a woman stretches hamstrings after exercise next to an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers06-09-07-2013.jpg
  • A city worker smokes a cigarette as a woman drinks water next to an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers05-09-07-2013.jpg
  • The Lloyds Building and a number two, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers05-05-07-2013.jpg
  • City workers rest by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers01-05-07-2013.jpg
  • City workers talk near an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers13-05-07-2013.jpg
  • City workers pass-by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers12-05-07-2013.jpg
  • City workers talk by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers10-05-07-2013.jpg
  • A city worker passes-by a large red number One, part of an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart.
    city_numbers11-05-07-2013.jpg
  • Circle artwork installation seen through reflective office foyer windows.
    circles_window11-16-04-2012.jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art02-01-02-2012.jpg
  • The Sense of Light, 2001 by the artist Christopher Le Brun RA (Royal Academy) in situ installed at the United Reform Church, Camberwell. The Sense of Sight is a bronze relief, an edition of 3. Christopher Mark Le Brun was born in Portsmouth in 1951. He studied at the Slade School of Fine Art (DFA) in London from 1970-74 and at Chelsea School of Art (MA) from 1974-75. Le Brun has exhibited in many significant surveys of international art, including Nuova Immagine, Milan 1981, Zeitgeist Berlin 1982, Avant-garde in the Eighties, Los Angeles 1987 Contemporary Voices, Museum of Modern Art New York 2005 and Watercolour Tate Britain 2011. From 1987-88 he received the D.A.A.D. award from the German government, living and working in Berlin for a year. He was elected to the Royal Academy in 1996 and in 2000 became the Academy's first Professor of Drawing. Le Brun is a former trustee of the Tate, the National Gallery, and the Dulwich Picture Gallery. He is currently a trustee of the Prince's Drawing School. In 2010 he was awarded an Honorary Fellowship by the University of the Arts London. in 2011 he was elected President of the Royal Academy.
    le_brun_art01-01-02-2012.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich12-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich10-05-02-2013.jpg
  • City workers watch a womens' tennis match on a huge screen outside the City of London headquarters of insurance company Aviva during Wimbledon fortnight, on 4th July, London, United Kingdom. Sculpture entitled 'Of Saints and Sailors' by the artist Benedetto Pietromarchi is being shown here during the annual open-air arts exhibition, 'Sculpture in the City' when 17 contemporary installations by artists in 20 locations in the Square Mile, London's financial heart founded by the Romans in the 1st Century.
    city_wimbledon-07-04-07-2016.jpg
  • A portrait of Don Justino de Neve, 1665, 206 x 129.5 cm. <br />
<br />
Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich09-05-02-2013.jpg
  • Dr. Xavier Bray, chief curator of the Dulwich Picture Gallery conducts a guided tour during the Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from their high position in Seville Cathedral for the first time since they were installed by Neve in 1667.
    murillo_dulwich06-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich01-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich04-05-02-2013.jpg
  • Dulwich Picture Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from its high position in Seville Cathedral for the first time since it was installed by Neve in 1667.
    murillo_dulwich03-05-02-2013.jpg
  • Dr. Xavier Bray, chief curator of the Dulwich Picture Gallery conducts a guided tour during the Gallery's exhibition Murillo & Justino de Neve: The Art of Friendship whose focus is on the 17th century Spanish Baroque painter's relationship with his patron and friend, Don Justino de Neve, a canon of Seville Cathedral, bringing together nearly all of the paintings Murillo made for Neve. Some artworks have never before been seen in public, taken down from their high position in Seville Cathedral for the first time since they were installed by Neve in 1667.
    murillo_dulwich08-05-02-2013.jpg
  • London visitors for the 2012 Olympics admire the 'House of Flags' a structure of 206 panels containing the flag icons of all the countries participating in the London 2012 Olympics and Paralympics. Designed by AY Atchitects, the structure is opposite the Palace of Westminster in Parliament Square. On the far right is the statue of Oliver Cromwell.
    olympics_westminster28-31-07-2012.jpg
  • London visitors for the 2012 Olympics admire the 'House of Flags' a structure of 206 panels containing the flag icons of all the countries participating in the London 2012 Olympics and Paralympics. Designed by AY Atchitects, the structure is opposite the Palace of Westminster in Parliament Square.
    olympics_westminster26-31-07-2012.jpg
  • London visitors for the 2012 Olympics admire the 'House of Flags' a structure of 206 panels containing the flag icons of all the countries participating in the London 2012 Olympics and Paralympics. Designed by AY Atchitects, the structure is opposite the Palace of Westminster in Parliament Square. On the far right is the statue of Oliver Cromwell.
    olympics_westminster30-31-07-2012.jpg
  • Foreign family visitors for the 2012 Olympics admire the 'House of Flags' a structure of 206 panels containing the flag icons of all the countries participating in the London 2012 Olympics and Paralympics. Designed by AY Atchitects, the structure is opposite the Palace of Westminster in Parliament Square.
    olympics_westminster27-31-07-2012-2.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-19-17-06-2019.jpg
  • Framed by multicolored glass panels, City workers walk along Lime Street during the lunchtime break in the City of London  the capital's financial district, on 17th June 2019, in London, England. The artwork is entitled 'Series Industrial Windows I' by<br />
Marisa Ferreira and is part of Sculpture in the City 2019.
    city_art-10-17-06-2019.jpg
  • Londoners walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district, on 25th July 2018, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-14-25-07-2018.jpg
  • Londoners walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district, on 25th July 2018, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-10-25-07-2018.jpg
  • Londoners walk past the sculpture entitled City Wing on Threadneedle Street in the City of London, the capital's financial district, on 25th July 2018, in London, England. City Wing is by the artist Christopher Le Brun. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people-04-25-07-2018.jpg
  • Modern hieroglyphic artwork painted on a wall of local wasteground in the village of Gezirat on the West Bank of Luxor, Nile Valley, Egypt. The pictures show the Battle of Kadesh which took place around 1274 BC between the forces of the Egyptian Empire under Ramesses II and the Hittite Empire under Muwatalli II at the city of Kadesh on the Orontes River. The battle is the earliest battle in recorded history for which details of tactics and formations are known. It was probably the largest chariot battle ever fought, involving perhaps 5,000–6,000 chariots.
    egypt362-06-03-2016.jpg
  • Modern hieroglyphic artwork painted on a wall of local wasteground in the village of Gezirat on the West Bank of Luxor, Nile Valley, Egypt.
    egypt360-06-03-2016.jpg
  • Modern hieroglyphic artwork painted on a wall of local wasteground in the village of Gezirat on the West Bank of Luxor, Nile Valley, Egypt.
    egypt358-06-03-2016.jpg
  • Flowering Bougainvillea and modern hieroglyphic artwork painted on a wall of local wasteground in the village of Gezirat on the West Bank of Luxor, Nile Valley, Egypt.
    egypt344-06-03-2016.jpg
  • Modern hieroglyphic artwork painted on a wall of local wasteground in the village of Gezirat on the West Bank of Luxor, Nile Valley, Egypt. The pictures show the Battle of Kadesh which took place around 1274 BC between the forces of the Egyptian Empire under Ramesses II and the Hittite Empire under Muwatalli II at the city of Kadesh on the Orontes River. The battle is the earliest battle in recorded history for which details of tactics and formations are known. It was probably the largest chariot battle ever fought, involving perhaps 5,000–6,000 chariots.
    egypt341-06-03-2016.jpg
  • The sculpture known as Gift Horse, by German artist Hans Haacke, in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    trafalgar_plinth01-15-02-2016.jpg
  • Lely's Venus (Aphrodite) in the British Museum, London. Here, the Godess Venus is surprised as she bathes, her water jar resting on her thigh. She crouches naked and attempts to cover herself with arms and hands. Naked Aphrodite was a popular subject with ancient Greek sculptors as she was with the Romans who called her Venus. This statue is a Roman copy of the Greek original, probably made in the 1st or 2nd century.
    british_museum17-14-01-2016.jpg
  • Statue of a victorious athlete, a Roman version of a Greek bronze original of about 440-430BC, found by the Roman theatre at Vaison, France but perhaps from a nearby villa. Known as Diadoumensos, it represents a triumphant athlete tying a ribbon round his head. At Greek festivals, it was the custom to give red ribbons to the winners of games. He may symbolise athletic victories in general, rather than an individual.
    british_museum12-14-01-2016.jpg
  • Muslim visitor takes a photo with a smartphone of a pair of giant Assyrian protective spirits - an Ugallu - or great Lion, preceded by what may be a House God from about 700-692BC from the ancient city of Nineveh,
    british_museum11-14-01-2016.jpg
  • Muslim visitor takes a photo with a smartphone of a pair of giant Assyrian protective spirits - an Ugallu - or great Lion, preceded by what may be a House God from about 700-692BC from the ancient city of Nineveh,
    british_museum09-14-01-2016.jpg
  • Fans of iconic English music artist David Bowie who died from Cancer at the age of 69 on Sunday 10th January, gather to pay their respects at a makeshift shrine of flowers and tributes to the local boy from Brixton, south London. Commuters stopped-by before entering the nearby underground station to take pictures and silently remember their hero's great days playing the soundtracks of their childhoods.
    bowie_memorial16-12-01-2016.jpg
  • Fans of iconic English music artist David Bowie who died from Cancer at the age of 69 on Sunday 10th January, gather to pay their respects at a makeshift shrine of flowers and tributes to the local boy from Brixton, south London. Commuters stopped-by before entering the nearby underground station to take pictures and silently remember their hero's great days playing the soundtracks of their childhoods.
    bowie_memorial15-12-01-2016.jpg
  • Fans of iconic English music artist David Bowie who died from Cancer at the age of 69 on Sunday 10th January, have written messages on the faces of black models from Bowie's wife's Iman's cosmetic ad with drawn Ziggy Stardust zigzag across their faces. Others gather to pay their respects at a makeshift shrine of flowers and tributes to the local boy from Brixton, south London. Commuters stopped-by before entering the nearby underground station to take pictures and silently remember their hero's great days playing the soundtracks of their childhoods.
    bowie_memorial02-12-01-2016.jpg
  • A couple riding on rented mobility scooters in the grounds of the Yorkshire Sculpture Park.
    yorkshire_sculpture_park06-28-09-201...jpg
  • Three figures by artist Elisabeth Frink at the Yorkshire Sculpture Park. Frink was a leading figure in British sculpture. She studied at the Chelsea School of Art from 1949-1953 and was part of the post-war group of British sculptors, which included Kenneth Armitage and Eduardo Paolozzi, who became known as the Geometry of Fear school.
    yorkshire_sculpture_park01-28-09-201...jpg
  • Incongruous urban landscape on central London's Oxford Street.
    oxford_street06-03-09-2015.jpg
  • Arcadia, the artwork consisting of strips of synthetic, industrial curtain on London's Southbank.
    southbank_screens08-17-08-2015.jpg
  • Arcadia, the artwork consisting of strips of synthetic, industrial curtain on London's Southbank.
    southbank_screens07-17-08-2015.jpg
  • Cyclists rest by a large wooden mountain bike sculpture in the town of Corvara during the summer walking season in south Tyrol, northern Italy.
    corvara_italy25-18-07-2015.jpg
  • Statue of Sir Joshua Reynolds (1723-92) and Sculptor Conrad Shawcross's artwork entitled The Dappled Light of the Sun, canopy of welded-steel clouds in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show.
    royal_academy05-04-06-2015.jpg
  • Businessmen sits next to a City of London sculpture entitled Southern Shade by Nigel Hall.
    city_people03-20-04-2015.jpg
  • An elderly couple look up to the sculpture known as Gift Horse, by German artist Hans Haacke, after its unveiling in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse55-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse48-05-03-2015.jpg
  • London Mayor Boris Johnson in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse41-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse35-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse15-05-03-2015.jpg
  • London, 5th March 2015: The sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. London mayor Boris Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse10-05-03-2015.jpg
  • London Mayor Boris Johnson is interviewed in Trafalgar Square. As the sculpture known as Gift Horse, by German artist Hans Haacke, is unveiled in London's Trafalgar Square on the public space called the Fourth Plinth. Johnson financed the 10th artwork to appear here. The skeletal, riderless horse (derived from The Anatomy of a Horse - George Stubbs, 1766) with a London Stock Exchange tickertape is a comment on power, money and history.
    unveiling_gift_horse07-05-03-2015.jpg
  • Yellow fencing and red wall of  the 250-seat wood panelled auditorium for the National Theatre (NT) designed by architect Haworth Tompkins, entitled The Shed on London's Southbank. The Shed is a temporary venue for the National Theatre on London's South Bank. Conceived by Haworth Tompkins and theatre consultants Charcoalblue, it was then designed and built in little more than a year.
    southbank_fence02-12-12-2014.jpg
  • Depiction of a caged woman made as sprayed graffiti on an east London Victorian brick wall.
    railings_graffiti03-12-09-2014.jpg
  • Marking the centenary of the beginning of the First World War (WW1) in 1914, General the Lord Dannatt is interviewed for TV among some of the ceramic poppies created by artist Paul Cummins. Remaining in place until the date of the armistice on November 11th. Across the world, remembrance ceremonies for this historic conflict that affected world nations. General Francis Richard Dannatt, Baron Dannatt, GCB, CBE, MC, DL (born 1950) is a retired British Army officer and the incumbent Constable of the Tower of London.
    ww1_centenary16-05-08-2014.jpg
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