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  • Two women talk outside the rear Artists' Entrance of the Royal Festival Hall on the Southbank, on 2nd May 2019, in London, England.
    southbank-03-02-05-2019.jpg
  • Two women talk outside the rear Artists' Entrance of the Royal Festival Hall on the Southbank, on 2nd May 2019, in London, England.
    southbank-02-02-05-2019.jpg
  • Street artists each draw the flags of other nations, on the pavement in Trafalgar Square, London UK.
    city_people-01-24-08-2016.jpg
  • A curator inspects art canvasses leaning against gallery walls in the Royal Academy (RA) for its 'The Glory of Venice: Art in the Eighteenth Century' exhibition, a collection of important works of art by Italian artists such as Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi. In the privacy of the closed gallery, a lady official from the RA is bending down, resting her hands on knees and scrutinizing for possible damage after their removal from travel packing crates, whilst on the floor before hanging for public view. We see the largest picture on the right (Luca Carlevaris, The Bucintore Departing from S. Marco. 1710) of the Grand Canal in Venice and on the left is 'Domenico Tiepolo, The Institution of the Eucharist, 1753'. Polished wooden parquet flooring is protected by blocks that support the weight of each work of priceless art.
    RB_035-31-05-1994.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor44-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor41-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor39-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor38-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor30-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor29-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor25-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor16-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor15-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor12-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor11-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor45-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor19-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor17-17-09-2015.jpg
  • Chinese artist Ai Weiwei and his son. He and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor42-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor35-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor33-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor32-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor27-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor24-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor22-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor20-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor09-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor08-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor06-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor05-17-09-2015.jpg
  • Chinese artist Ai Weiwei and Anish Kapoor walk with a following entourage of supporters and media through central London - from the Royal Academy in Piccadilly to the former Olympic Park Stratford, eight-miles to show solidarity with refugees around the world. “It is an act of solidarity and minimal action – we like that spirit,” said Kapoor. Ai, who has a show at the Royal Academy opening to the public on Saturday, said “We are all refugees somehow, somewhere and at some moment.”
    aiweiwei_kapoor02-17-09-2015.jpg
  • Members of the Dulwich Art Group paint an urban Autumn landscape on Denmark Hill, on 2nd October 2017, in the south London borough of Lambeth, England.
    landscape_painters-05-02-11-2017.jpg
  • Members of the Dulwich Art Group paint an urban Autumn landscape on Denmark Hill, on 2nd October 2017, in the south London borough of Lambeth, England.
    landscape_painters-04-02-11-2017.jpg
  • Members of the Dulwich Art Group paint an urban Autumn landscape on Denmark Hill, on 2nd October 2017, in the south London borough of Lambeth, England.
    landscape_painters-02-02-11-2017.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival26-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival21-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival20-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival14-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival09-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival07-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival06-24-09-2015.jpg
  • Damien Hirst's sculpture artwork entitled Hymn, on display outside Tate Modern on London's southbank.
    tate_modern01-27-06-2012.jpg
  • Members of the Dulwich Art Group paint an urban Autumn landscape on Denmark Hill, on 2nd October 2017, in the south London borough of Lambeth, England.
    landscape_painters-12-02-11-2017.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival28-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival23-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival19-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival17-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival05-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival04-24-09-2015.jpg
  • As part of London's Bankside 'Merge 2015' are street performers taking part in the arts festival, located at various spots on the southern side of the Thames and supported by tate Modern and Better Bankside. Here hula-hoop girls entertain commuters outside offices in Southwark as they interact with their surroundings and those rushing home on a Thursday evening.
    merge_festival02-24-09-2015.jpg
  • A food delivery van for 'Woods' passes beneath the Apollo Theatre where the last production before the Coronavirus lockdowns a year ago was the production, Jamie, on Shaftesbury Avenue in London's Theatreland, on 27th April 2021, in London, England.
    theatreland02-27-04-2021.jpg
  • A food delivery van for 'Woods' passes beneath the Apollo Theatre where the last production before the Coronavirus lockdowns a year ago was the production, Jamie, on Shaftesbury Avenue in London's Theatreland, on 27th April 2021, in London, England.
    theatreland01-27-04-2021.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as the Duke of York's Theatre in the West End whose last production was 'Blithe Spirit', will remain closed for the foreseeable future, on 7th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_theatre-01-07-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as Cameron Mackintosh's Gieldgud Theatre on Shaftesbury Avenue in London's West End Theatreland, will remain closed for the foreseeable future, on 6th July 2020, in London, England. The arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-09-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-06-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-05-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-03-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-02-06-07-2020.jpg
  • A group of American interior design students sketch buildings adjacent while sitting on steps of public building in Florence's Piazza Di Annunziata. The small class is made up mostly of young women and there is a young man who is apparently teaching one woman how to capture the finer points of the architecture opposite. They all have sketchpads on their laps and are either looking into the distance, memorising the landscapes - or using pencils to reproduce these features on to paper. Florence and other Italian cities are full of young Americans studying music and painting, art and design, completing and complimenting US-based courses often as foreign exchange students or as residential terms.
    florence_italy39-22-10-2010.jpg
  • A man stands in front of Cameron Mackintosh's Gieldgud Theatre on Shaftesbury Avenue in London's West End Theatreland, closed for the foreseeable future after repeated Coronavirus pandemic lockdowns, on 27th April 2021, in London, England.
    theatreland03-27-04-2021.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as the Duke of York's Theatre in the West End whose last production was 'Blithe Spirit', will remain closed for the foreseeable future, on 7th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_theatre-02-07-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as the Duke of York's Theatre in the West End whose last production was 'Blithe Spirit', will remain closed for the foreseeable future, on 7th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_theatre-03-07-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as Cameron Mackintosh's Gieldgud Theatre on Shaftesbury Avenue in London's West End Theatreland, will remain closed for the foreseeable future, on 6th July 2020, in London, England. The arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-10-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-07-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-04-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in London's West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads "Missing Live Theatre" -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-01-06-07-2020.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-20-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-18-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-19-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-16-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-02-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-01-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-17-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-05-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-04-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-07-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-15-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-14-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the "Annenberg Courtyard" of Burlington House.
    royal_academy-13-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-12-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-10-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-09-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-08-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled 'Charles 1, King and Collector' is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the king's collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-06-06-04-2018.jpg
  • Visitors to the African Art exhibition entitled "Seven Stories About Modern Art in Africa" at the Whitechapel Art Gallery, on 11th October 1995, in London, England. Seven Stories About Modern Art in Africa. Seven Stories About Modern Art in Africa, curated by five Africans, embraced works by sixty artists, including deeply spiritual works from Sudan and Ethiopia, drawing on Islamic and Christian traditions; large apocalyptic paintings from Uganda, reflecting civil strife and the AIDS epidemic; a mixed media installation from Senegal, featuring suspended mannequins, wire sculptures and banners; and significant works by black and white artists from South Africa, reflecting on the country's past and present.
    african_art-11-10-1995.jpg
  • Visitors to the African Art exhibition entitled "Seven Stories About Modern Art in Africa" at the Whitechapel Art Gallery, on 11th October 1995, in London, England. Seven Stories About Modern Art in Africa. Seven Stories About Modern Art in Africa, curated by five Africans, embraced works by sixty artists, including deeply spiritual works from Sudan and Ethiopia, drawing on Islamic and Christian traditions; large apocalyptic paintings from Uganda, reflecting civil strife and the AIDS epidemic; a mixed media installation from Senegal, featuring suspended mannequins, wire sculptures and banners; and significant works by black and white artists from South Africa, reflecting on the country's past and present.
    african_art-11-10-1995_1.jpg
  • A mother and child walk past a giant Euro coin, an artwork by Danish artists Superflex, hanging from the hayward Gallery on Waterloo Bridge, on 3rd February 2017, London, England. For the third Waterloo Billboard Commission, the work is a euro coin with its value conspicuously absent – made by the group in 2012, in response to the Greek financial crisis – has gained new resonance since the UK's decision to leave the EU. The billboard is the third in a series of large-scale commissions by international artists, occupying the prominent billboard site next to Hayward Gallery.
    euro_art-03-03-02-2017.jpg
  • A backpacker walks past a giant Euro coin, an artwork by Danish artists Superflex, hanging from the hayward Gallery on Waterloo Bridge, on 3rd February 2017, London, England. For the third Waterloo Billboard Commission, the work is a euro coin with its value conspicuously absent – made by the group in 2012, in response to the Greek financial crisis – has gained new resonance since the UK's decision to leave the EU. The billboard is the third in a series of large-scale commissions by international artists, occupying the prominent billboard site next to Hayward Gallery.
    euro_art-02-03-02-2017.jpg
  • Cyclists pedal past a giant Euro coin, an artwork by Danish artists Superflex, hanging from the hayward Gallery on Waterloo Bridge, on 3rd February 2017, London, England. For the third Waterloo Billboard Commission, the work is a euro coin with its value conspicuously absent – made by the group in 2012, in response to the Greek financial crisis – has gained new resonance since the UK's decision to leave the EU. The billboard is the third in a series of large-scale commissions by international artists, occupying the prominent billboard site next to Hayward Gallery.
    euro_art-01-03-02-2017.jpg
  • The waxwork of Donald Trump stands outside the US Embassy at Nine Elms in south London on the day when the President announced on Twitter, his refusal to visit London and open the new state premises after its historic move from Grosvenor Square, on 12th January 2018, in London, England. The waxwork is the property of Madame Tussauds and took a team of 20 artists 4 months to create, going on display on the day of his inauguration in 2017. It is valued at £150,000.
    US_embassy-26-12-01-2018.jpg
  • The waxwork of Donald Trump is carried to the US Embassy at Nine Elms in south London on the day when the President announced on Twitter, his refusal to visit London and open the new state premises after its historic move from Grosvenor Square, on 12th January 2018, in London, England. The waxwork is the property of Madame Tussauds and took a team of 20 artists 4 months to create, going on display on the day of his inauguration in 2017. It is valued at £150,000.
    US_embassy-19-12-01-2018.jpg
  • A low-tide landscape of poetry and sentences forming 'Graveyard of Lost Species', an boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the 'Souvenir', a 39-foot Thames 'bawley' (1933) which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-16-10-09-2019.jpg
  • A low-tide landscape of poetry and sentences forming 'Graveyard of Lost Species', an boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the 'Souvenir', a 39-foot Thames 'bawley' (1933) which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-15-10-09-2019.jpg
  • A detail of poetry and sentences forming 'Graveyard of Lost Species', a boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the 'Souvenir', a 39-foot Thames 'bawley' (1933) which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-14-10-09-2019.jpg
  • A detail of poetry and sentences forming 'Graveyard of Lost Species', a boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the 'Souvenir', a 39-foot Thames 'bawley' (1933) which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-13-10-09-2019.jpg
  • A detail of poetry and sentences forming 'Graveyard of Lost Species', a boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the 'Souvenir', a 39-foot Thames 'bawley' (1933) which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-12-10-09-2019.jpg
  • A detail of poetry and sentences forming 'Graveyard of Lost Species', a boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the 'Souvenir', a 39-foot Thames 'bawley' (1933) which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-11-10-09-2019.jpg
  • A detail of poetry and sentences forming 'Graveyard of Lost Species', a boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the 'Souvenir', a 39-foot Thames 'bawley' (1933) which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-10-10-09-2019.jpg
  • The waxwork of Donald Trump stands outside the US Embassy at Nine Elms in south London on the day when the President announced on Twitter, his refusal to visit London and open the new state premises after its historic move from Grosvenor Square, on 12th January 2018, in London, England. The waxwork is the property of Madame Tussauds and took a team of 20 artists 4 months to create, going on display on the day of his inauguration in 2017. It is valued at £150,000.
    US_embassy-34-12-01-2018.jpg
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