As two city office workers walk briskly towards the viewer, we also see an artwork, a series of statues of commuting people are also striding as one, making their homeward journeys. The two gentlemen however appear to be taking a lunchtime break from their desk jobs and carrying sports holdalls with the 90s sports brand Head, are probably on their way to any number of city-based gyms. They look successful and wealthy, products of a healthy economy and a business culture of bonuses and high prospects of affluence whereas the statues lend a feeing of suppression and the treadmill of their anonymous daily lives as if they were part of some Orwellian society. .
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